In October 2025, Iskandar Kadyrov and his team marked their 20-year professional anniversary. This milestone became an occasion to look back on the journey travelled — and to set bold new goals.
His unique approach gives rise not merely to projects, but to an entire philosophy of interaction between art, business, and society.
Everything that you dreamed of can be brought to life exactly at the moment when you decide to win.
My way
Over 20 years of experience. Hundreds of realised projects. One mission — to create the future.
Key milestones along the way
2005 — THE BEGINNING
Foundation of the advertising and communications group VOGUEAGENCY.RU. One person, one dream, and an unwavering belief that creativity can change the world.
2010 — CREATIVE HOUSE ISKA
The creation of a space for bringing ideas to life, where art and business merge into one.
2015 — VOYAGER: A BREAKTHROUGH IN INNOVATION
Launch of an authorial collection of biodegradable objects, which received international recognition at the Nekropol-Tanexpo exhibition.
2020 — TRIAL AND NEW MOMENTUM
Years of global upheaval became a time of deep rethinking. New formats of work and interaction with the world were born.
2025 — "DOLPHIN HUB": A NEW ERA
Launch of the global platform DOLPHIN HUB — uniting science, ecology, and culture for the study of dolphins and the preservation of marine ecosystems.
2025 — "ONE HERITAGE": A GLOBAL MISSION
Launch of the international environmental information campaign ONE HERITAGE™ — a private initiative by Iskandar Kadyrov aimed at protecting the planet's ecosystem.
2026 — VOYAGER: AN INTERNATIONAL CULTURAL ECOSYSTEM
VOYAGER transforms into an international cultural ecosystem. From an authorial object — to a platform uniting design,philosophy, media and collaborations. Where memory becomes art.
Throughout years of distinguished professional activity, Iskandar Kadyrov has collaborated with leading cultural institutions and outstanding creative ensembles. The author's projects have repeatedly received official support from prestigious international organizations and state institutions of the Russian Federation.
INTERNATIONAL ORGANIZATIONS AND STATE INSTITUTIONS
United Nations (UN)
World Health Organization (WHO)
UNAIDS (Joint United Nations Programme on HIV/AIDS)
UNESCO (United Nations Educational, Scientific and Cultural Organization)
United Nations Information Centre in Russia (UNIC Russia)
State Duma of the Russian Federation
Ministry of Foreign Affairs of the Russian Federation
Ministry of Digital Development, Communications and Mass Media of the Russian Federation
Government of Moscow
and other official partners
THEATRES
State Academic Bolshoi Theatre of Russia
State Academic Maly Theatre of Russia
State Academic Vakhtangov Theatre
State Theatre of Nations
Moscow Drama Theatre on Malaya Bronnaya
Russian State Theatre "Satirikon" named after Arkady Raikin
Moscow Drama Theatre named after K. S. Stanislavsky
Roman Viktyuk Theatre
Moscow Drama Theatre named after N. V. Gogol
ARTISTIC ENSEMBLES & CREATIVE COLLECTIVES
Moscow State Academic Symphony Orchestra (MSSO)
State Academic Symphony Orchestra of Russia named after E. F. Svetlanov (GASO)
Central House of Actors named after A. A. Yablochkina
Nikulin Moscow Circus on Tsvetnoy Boulevard
State Academic Ensemble of Folk Dance named after Igor Moiseyev (Moiseyev Dance Company)
EDUCATIONAL INSTITUTIONS
Russian Institute of Theatre Arts — GITIS (RATI-GITIS)
LEGACY
Philosophy and Legacy
Iskandar Kadyrov grew up in a family where knowledge and culture were a way of life. His grandfather, Imindjan Kadyrovich Kadyrov, served as Minister of Education of the Uzbek SSR, held a Doctorate in Pedagogical Sciences, was a professor, and a corresponding member of the USSR Academy of Pedagogical Sciences.
This family heritage shaped a worldview where beauty and functionality go hand in hand.
Iskandar Kadyrov is a visionary capable of seeing beauty where others see problems and turning ideas into projects that inspire thousands of people.
"The DNA of beauty is the DNA of design. Beauty is not decoration; it is the structure of meaning—the optimal correspondence of form to its purpose."
In his column The Architecture of Beauty, he explores the connection between design, structure, and aesthetics, decoding the universal laws through which beauty manifests itself in the world.